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Two Decameron Tales Retold

Ovid - the master story-teller and his books

PUBLIUS Ovidus Naso (Ovid) was born on March 20 in 43 BC at Sulmo (now: Sulmona) about nine miles east of Rome. Later his father sent him to Rome to attend the schools of famous rhetoricians. But Ovid came to see that his talent lay with poetry rather than politics: poetry flowed from his lips of its own accord, he writes.
Ovid abandoned his official career to cultivate poetry, and he began to visit and be among literary Romans and enjoy the festive and rather witty Roman society. There was plenty of space for a talented young poet to enjoy himself there, and Ovid did so very much. Soon he became a leading member.
His first two books were addressed to men. A third was added for women. In various passages of his first four works his skill as a story-teller was revealed. His fifth published work was this one, devoted soley to tales. The book, called Metamorphoses, which means 'transformations' (which are certain changes), was completed by AD 8 in the form of a poem. In this book, good stories were originally linked and garnished so that a reader is seldom aware how he is led on from one story to the next. Furthermore, Ovid's language skills and advances in technical construction made for rapid narrative and description. Through his "gift for fantasy, Ovid is one of the great poets of all time," writes Encyclopedia Britannica [see 'Ovid' in it].
Ovid was working on a poem on the Roman calendar when the Emperor in AD 8 expelled him to Tomis (or Tomi; near modern Constanta, Romania) on the Black Sea for some unknown offence which Ovid insists was an indiscretion, an error, but not a crime. In the Roman society such distinctions meant terribly much.
In Tomis he continued to write, turned more melancholy in dominant outputs, spoke longingly of Rome for a great long while, while the pardon he sought from the Emperor was never granted. Ovid died in his exile in AD 17.
From about AD 1100 the fame of Ovid began to surpass that of the very famous Latin writer Virgil. Ovid's popularity continued to grow through the Renaissance, and his work formed a good avenue to Greek riches of story-telling. He managed to inspire troubadours and poets of courtly love, such as Geoffrey Chaucer, William Shakespeare, and Johann W. von Goethe.

Turning to Ovid, not to stone

VERY FEW Latin works have appealed to a wider public and had more efect on later literature than this book by Ovid. He has gathered many sorts of tales here. What they have in common is that they deal with transformations, another word is changes.
He tells us of:

chaos changed into ordered harmony;
animals turned to stone;
men and women who become trees, animals, stones or stars.

On this platform we find fifteen minor sections ("minor books") inside a big book. In it, he uses mythical characters to impress on readers examples of obedience or disobedience toward higher authority; actions are rewarded or punished by a final transformation into some animal, vegetable, or astronomical form. The innermost theme of the poem (book) is passion, yough. And the work has been said to hold the reader's attention and fancy captive to the end. There is good entertainment in many of the stories.
Ovid is an excellent story-teller. He collected tales from Greek poets, and such tales were important in the education of Romans, as cultural heritage, and as signs of being well educated. Ovid also drew on Latin folk-lore, not only Greek myths, and even stories from Babylon and the East. What is more, he fanned new life into the old stories.
The result is a book that is a treasure-house to some. It was read with delight in his own times, and has charmed generations afterwards. Thus, European literature has derived celebrated inspiration from this one source.

A quotation

"He could scarcely wait for the rest, only with great difficulty did he restrain himself." [Metamorphoses]

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