Birth of Venus by Botticelli

• Birth of Venus by Botticelli
• Looking at Venus or a Bear

Birth of Venus by Botticelli

Birth of Venus by Sandro Botticelli. CLICK on the picture and a larger one appears in a separate window.

PROBING and perhaps also asking tidy questions within limits can help us use our minds, imaginations, past experiences, our eyes and other senses to discover meanings or invent others than intended.
      Sober questioning can be designed for individual reflection and group contributions. There are perhaps no awfully wrong answers. Fit questions encourage many:

• to use more senses to get into the art-work;
• look more under the surface as skills develop;
• slowly getting better attuned and perhaps also involved with the work at hand.

1. It provides a a common entry point in a group or wider context;
2. It may set the stage for deeper explorations;
3. It promotes seeing (first-hand observations) over and above studying (which is more often than not a second-hand information source).
4. It may counteract massive mind-conditioning (mind-battering as well).

Looking at Venus

1. With a fresh eye (mind)
2. With preconceived notions.

Advocating idea map methods here too

THE WOMAN. In the picture the central area is a naked woman's female organs. They are covered by unusually long hair, as you can see.
       When you "branch out" from there by following some of the dominant lines, such as body contours and further, don't miss the essentials.
       She's standing on a shell, but may be out of balance - perhaps about to fall, but not about to run. She may succeed in getting on shore -

THE SHELL - what she is standing on - is too big to be from nature.

INTERTWINED, FLYING FIGURES TO THE LEFT: Now you may notice that the persons to the left are flying and puffing, if not hanging in ropes we don't see on the canvas. They are intertwined in such as way that the woman must be contortionist - and you could imagine they try to blow a dress away from the naked woman in the middle - but never bet on it. If you think that is the gist of it, you may add the Norwegian: "Pretty woman needs no clothes." That could be what they aim at or strive to show, eh?
       Another version: "Pretty woman doesn't need jewelry." To some, that could be the crux of the matter, if unaided by what the painter had in mind in his commisioned painting, presumably. Are those meanings more essential than yours? Your opinions could be defended in certain ways. Here is one right: to interpret art in his or her own way. We just mention it again.

THE WOMAN TO THE RIGHT: You may suggest she has just received clothes that have blown off the naked lady in the centre. Is that what she is doing? Can you substantiate your interpretation of her? Is the woman to the right standing or flying?

GET INTO FINER DETAILS: There are flowers in the air. They could represent something. You should try to find out what, if you are up to it.
       Many think the flowers around the couple to the left are falling. Are they falling of floating or moving upwards? Or moving in a circle around the couple? How can you tell how they move, if they move, when they are painted and thus fixed? Interfere to come up with an opinion. Take the whole picture into account for it, for details are best seen in their context; that's a good reason why.

DIE STIMMUNG. The mood of a picture and a scene is one of the rewarding things to feel into. One has a gut feeling, perhaps, and tries to draw it forth by way of describing it. Often allegorical hints are given through it, or comparisons. They may all be somewhat limpering according to "The comparison limpers."
       Martin Heidegger and architects more recently have tried to ascertain or come to grips with much imponderable moods. They are difficult to get into. Now, two examples:

1. "In this Botticelli, the (predominant) Stimmung is like an early morning: The sun rises, so wake up, dress up, and get ready for clothing."

2. "Maybe the sun is setting and the woman has been out fishing all day long in a bad boat, and has come home with nothing, not even clothes. Now it's time for her to go to bed if she can get warm clothes through the kindness of others."

Looking at Venus or a Bear

Art travesty [MORE]

What do you see?

• Describe the lines, shapes, colours, contours, and textures in this work of art.
• Can you see people, animals, objects, or plants?
• What materials are used to form the work into a whole?
• If you could touch it, what would it feel like?
• Is it more flat than three-dimensional? And does it seem that way too?

How is it all put together?

• What catches your eye first?
• Which element is most prominent or 'in charge'?
• Is anything repeated?
• Can you find any patterns?
• How are things connected?
• Do some shapes appear closer to you than others?

What is it all about?

• What if you found yourself inside this maker's work - what would you hear, smell, taste, feel?
• Does it remind you of anything you've seen before?
• Is the art telling you a story, giving you a feeling, or sharing an idea?
• If you could ask the maker one question about this work, what would it be?

What do you think?

• What do you like about this work?
• Would you change anything?
• Do you want to learn more about this maker and his or her work?
• What makes this a successful (or unsuccessful) work (manifestation)?