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Men of Zen | |||||
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Hakuin ThinkingGet paid in time. Allow for thatBe careful about spreading your own, innate, rare, and penetrating old wit. Stay firm instead. Hold fast to that "words don't (always) come easy".
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| Bodhidharma (Daruma). |
A MASS of paintings, seemingly casually depicted, was outlined and then brushed more strongly. Colour was then added, lightly but effectively. [Taoz 112]
Tenet: "A human's heart can be buddhahood inside."
Hakuin invented an amazingly wide repertory of themes, but his major subject was the first Zen patriarch, Bodhidharma (Japanese: Daruma).
Bodhidharma (Daruma) is employed as a symbol of the real Zen ado, its spirit. To the left is a Zen drawing of Daruma; its colours are a later addition (here). To the right is a drawing by Gibon Sengai (1750-1837). [Taoz 125-29]
Hakuin added his most vital message:
Pointing directly to the human heart:
See your own nature and become Buddha.- Zen roshi Hakuin.[Taoz 125]

One may suggest Zen through both depictions and terms. There are many
other outlets too. If a Zen sitting goes well, then the heart can makes its presence strongly felt or known.
Through getting simple, intensity of mind is had. Lying contemplation can be brightness-furthering too. A result of it is roaming the streets and calling out -
Little is known about Fuke (Puhua, died c. 860), the Chinese monk told of in "The Records of the Zen Master Linchi", where Fuke is admired as a free spirit:
When asked intellectual questions about Buddhism, Fuke kicked over the dinner table; when called a donkey, he brayed loudly; when scolded for his coarse behavior, he replied, "What does the Buddhist dharma have to do with coarse or fine?"
Fuke was most famous for roaming the streets ringing a small bell and calling out. One day Fuke walked around asking for a one-piece robe. He refused all offers until Lin-chi, who alone understood his request, had a coffin made for him. Fuke told the townsfolk that he was going to take the coffin to the East Gate and depart this life, but when after three days he had not done so, the people stopped paying attention. He then went to the East Gate by himself, lay down in the coffin, and asked a passerby to nail it up; when the townsfolk heard the news and came to open the coffin, it was empty. Only the sound of his bell remained, ever more faintly chiming: ding . . . ding . . . ding.
Zen principles of drawings include:
1. Unity of subject and object,
2. Concentration of spirit;
3. Avoidance of overt emotional displays.
Evocative ink painting express things in ways that facts may not manage. [Taoz 35]

We may gain freedom of thought, freedom from tyrants, and in that freedom attain to
delightful drawings. Some tyrants excel in playing on devotion to them.
Fuke Zen was a branch of Zen Buddhism that existed in Japan from the 1200s until the late 1800s. Fuke Zen, according to some accounts, is derived from the teachings of the Chinese Zen teacher Linji Yixuan (c. 800-866), known in Japan as Rinzai Gigen. But the Fuke school counted as its founder one of Linji's contemporaries, Puhua (Fuke in Japanese). Puhua was reputedly a multi-talented monk.
Yinyuan Longqi (Japanese: Ingen Ryuki was a Chinese Linji Chan Buddhist monk, poet, and calligrapher. At the age of sixteen, Ingen decided to become a monk. Three years later, after wanderings, everything seemed in vain to him, so he entered a temple where he was given a lowly position, serving tea. He was twenty-nine years old when he was ordained a priest.
Ingen asked the Zen master Mi-yun (Japanese: Mitsuun, 1566-1642), "Please show me."
Mi-yun replied: "When you need to go someplace, go; when you want to lie down, lie down."
"What shall I do when I can't sleep at night because of the mosquitoes?" asked Ingen.
"Hit one of them," Mi-yun answered.
Seven days later Mi-yun passed by the meditation hall, and Ingen happened to glance at him. At that moment Ingen said to Mi-yun, "Now I understand what you told me."
"Show me," Mi-yun replied. Ingen gave a Zen shout, but Mi-yun repeated his request. Ingen again replied with a shout. Miyun then asked, "After several shouts, how about you?"
"This year the salt is very expensive, just like rice," Ingen answered.
"You may go now, but be careful and never obstruct people, " Mi-yun finally told him. Ingen turned impressive. Ingen fascinated. A new kind of realism was found under his patronage. [Taoz 75-79]
Advancing with consent
May bring much good fortune.
Putting time and effort into doing something
Can also make things go well.
Persistence is fairly often needed.
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© 19962011, Tormod Kinnes, MPhil [E-MAIL] Disclaimer: LINK] |